This exhibition looks to the nature of the North through a selection of artworks from the Nordnorsk Kunstmuseum's collection. Common to the artists represented is that they convey nature, but with different perspectives, approaches, and presences.

The nomadic library of Sámi architecture, initiated in 2018 by the Tromsø-based architect and artist Joar Nango, has now, after several years of travelling around the world, come to Nordnorsk Kunstmuseum where it will stay for the coming years.

For half a century, Britta Marakatt-Labba (b. 1951 in Idivuoma, Sápmi) has been one of Sápmi’s most prominent artists. Using needle and thread, she creates a rich and varied visual universe. Through countless small stitches, Marakatt-Labba depicts motifs from Sámi history, religion and everyday life, seen from an Indigenous perspective and inspired by her upbringing in a reindeer-herding family.

The exhibition When the body says Yes, which will be shown from April 30th to October 25th 2026, presents three central video installations by Dutch artist melanie bonajo (they/them), a queer, non-binary artist known for their explorations of the body, intimacy, and social belonging in a technological age.

There are cities where history does not pass, but accumulates—layer upon layer—within land, bodies, and memory. This exhibition unfolds between Gaza and Tromsø, two geographies shaped by different yet resonant forms of colonial legacies.

The term “folkeskikk”, which roughly translates to “good manners”, is often associated with social conventions: saying thank you at mealtimes, listening, showing consideration for others. In Jannik Abel’s practice, the term takes on a new meaning. Here “manners” is about an ethical responsibility, about responding to injustice with presence, care and action.